Sponsors

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MAJOR CORPORATE AND FOUNDATION SPONSORS

$500,000 +

Empire State Development Corporation Urban and Community Development Program

$200,000

The John R. Oishei Foundation

$50,000

Peggy Pierce Elfvin

M&T Bank

The Andy Warhol Foundation for the Visual Arts

$25,000

First Niagara Bank

Special thanks to these outstanding Supporting Sponsors

• ALP Steel Corp.
• Monica Angle and Samuel Magavern
• The Cameron and Jane Baird Foundation
• Carol and Charles Balbach
• Paul William Beltz LLC
• Mariana Botero-Chason and Mark Chason
• Buffalo Expat Network
• Buffalo Niagara Convention & Visitors Bureau
• Buffalo Spree
• Community Foundation for Greater Buffalo
• Consulate General of Canada in Buffalo/Consulat général du Canada à Buffalo
• DoubleTree Club Hotel Downtown Buffalo
• Elizabeth Firestone Graham Foundation
• Martha and Tom Hyde
• Roberta and Michael Joseph
• Cindy and Francis Letro
• Toby D. Lewis Philanthropic Fund
• Magavern Magavern Grimm LLP
• Dr. Robert and Mrs. Nancy Magoon
• Main Place Liberty Group
• The Marks Family Foundation
• The City of Niagara Falls New York
• Niagara Tourism and Convention Corporation
• Pattison Sign Company
• Phyllis W. Pierce Charitable Lead Trust
• Corinne and Victor Rice Foundation
• Rich Products Corporation
• Mr. Robert B. Skerker and Mrs. Sara G. Skerker
• Travers Collins & Company
• Uniland Development Company
• Western New York Foundation
• West Herr Automotive Group
• Carolyn and John Yurtchuk
• Leslie and Howard Zemsky

We wish to acknowledge the tireless advocacy and support of Robert G. Wilmers, Chief Executive Officer of M&T Bank Corporation, and thank him from all his efforts to ensure the success of this collaborative community-wide international exhibition in Buffalo Niagara.

The presentation of the exhibition at the Albright-Knox Art Gallery is supported, in part, by a generous gift from Peggy Pierce Elfvin.

INDIVIDUAL ARTIST’S GRANTS AND GIFTS

BEYOND/IN WESTERN NEW YORK 2010

Michael Bosworth wishes to acknowledge support from the Experimental Television Center Finishing Funds grant program, which is supported by the Electronic Media and Film Program at the New York State Council on the Arts and for a grant from the Strategic Opportunity Stipends Program through New York Foundation for the Arts and New York State Council on the Arts.

Joel Brenden wishes to acknowledge support from the Strategic Opportunity Stipends Program through New York Foundation for the Arts and the New York State Council on the Arts.

James Carl wishes to acknowledge support from the Ontario Arts Council.

Millie Chen wishes to acknowledge the support of an Individual Development Award from University at Buffalo UUP Professional Development Program.

John Dickson wishes to acknowledge support from the Canada Council for the Arts.

Jody Hanson wishes to acknowledge support from the Strategic Opportunity Stipends Program through New York Foundation for the Arts and the New York State Council on the Arts.

Barbara Lattanzi wishes to acknowledge support from the Experimental Television Center Finishing Funds grant program, which is supported by the Electronic Media and Film Program at the New York State Council on the Arts.

Joan Linder wishes to acknowledge support from the Dr. Nuala McGann Drescher Leave Program from the New York State/United University Professions.

Scott McCarney wishes to acknowledge support from the Strategic Opportunity Stipends Program through the New York Foundation for the Arts and the Arts & Cultural Council for Greater Rochester.

Dennis Maher wishes to acknowledge support from the New York State Council on the Arts Architecture, Planning & Design program.

Sarah Paul wishes to acknowledge the support of a Faculty Development Grant from The Cleveland Institute of Art.

Sarah Paul and Suzannah Paul wish to acknowledge support from their parents, Dan & Diane Paul.

Stefan Petranek wishes to acknowledge support from the Strategic Opportunity Stipends Program through the New York Foundation for the Arts and the Arts & Cultural Council for Greater Rochester.

Warren Quigley wishes to acknowledge support from the Canada Council for the Arts.

Josh Reiman wishes to acknowledge support from Syracuse University College of Visual and Performing Arts, and Dorothea Ilgen Shaffer.

Geoffrey Alan Rhodes wishes to acknowledge support from the New York State Council on the Arts Individual Artists program.

Mark Shepard wishes to acknowledge support from the Creative Capital Foundation and the New York State Council on the Arts.

Jessica Thompson wishes to acknowledge support from the Ontario Arts Council.

Kurt Von Voetsch would like to thank UB Art Galleries Director, Dr. Sandra H. Olsen, and Curator, Sandra Q. Firmin for their support.